Bach Standard Silver Plated Flugelhorn Mouthpiece - 9C

Description

The Bach Standard Series Flugelhorn Mouthpiece in Silver Group II includes the following mouthpiece models: 9, 9a, 9b, 9c, 9d, 10, 10B, 10-1/2a, 10-1/2d, 10-1/2e, 10-1/2dw, 10-1/2ew, 10-3/4a, 10-3/4cw, 10-3/4ew, 10-3/4cw, 11a, 11b, 11c, 11d, 11dw, 11ew, 11-1/2a, 11-1/2c, 11-3/4c, 12, 12b, 12c, 12cw, 17, 17c, 18, 18c, 20c When selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a player's embouchure, attack, tonguing and endurance. Because no two players have the same lip or tooth formation, what is for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the mouthpiece for their individual embouchure. A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of mouthpiece production. In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. Bringing these various components into proper relationship constitutes the art of mouthpiece production. Because no two players have the same lip or tooth formation, what is for one may be entirely unsuitable for the other. A mouthpiece consists of the rim, cup, throat, and backbore.

Key Features

• A carefully selected Bach mouthpiece can help improve a player's embouchure, attack, tonguing and endurance.
• A mouthpiece consists of the rim, cup, throat, and backbore.
• The Bach Standard Series Flugelhorn Mouthpiece in Silver Group II includes the following mouthpiece models: 9, 9a, 9b, 9c, 9d, 10, 10B, 10-1/2a, 10-1/2d, 10-1/2e, 10-1/2dw, 10-1/2ew, 10-3/4a, 10-3/4cw, 10-3/4ew, 10-3/4cw, 11a, 11b, 11c.
• Bringing these various components into proper relationship constitutes the art of mouthpiece production.
• Bach produces many different models so that each player can find the mouthpiece for their individual embouchure.
• Because no two players have the same lip or tooth formation, what is for one may be entirely unsuitable for the other.